bicc2的部落格

提醒:因為我手邊的書是小學時買的套書,所以真的是"淺談,"且內容微腐(不妄想一下我會昏迷啊),走錯地方的請早日離開喔謝謝(鞠躬)

↑(點擊查看原圖)圖片說明:
1.家族上方感覺像職業別的是我加的,家有家風嘛~

 
以前看到google doodle有影片的其實不太會點進去,這次為了俄國大文豪點進去才發現別有洞天,翻頁也設計過,讓我忍不住翻出小學看的《世界偉人傳記:托爾斯泰》(當時只記得"綠杖"因為不懂這件事為什麼會寫進傳記:P)、[應該是高中畢業看奧黛麗赫本演的《戰爭與和平》後去看的]《戰爭與和平》,等下來複習~
《安娜‧卡列尼娜》不用複習因為我還記得她外遇後臥軌自殺,是說大概因為《安娜‧卡列尼娜》和福樓拜《包法利夫人》都是小學看的,覺得後者玩比較大印象比較深刻~btw,小學當然是看兒童版,但反正有看,即使是簡易版,總比完全沒碰好吧

伊莉莎白一世wiki:
http://zh.wikipedia.org/wiki/%E4%BC%8A%E4%B8%BD%E8%8E%8E%E7%99%BD%E4%B8%80%E4%B8%96_(%E8%8B%B1%E6%A0%BC%E5%85%B0)
Walter Raleigh wiki:
http://zh.wikipedia.org/wiki/%E6%B2%83%E7%88%BE%E7%89%B9%C2%B7%E7%BE%85%E5%88%A9%E7%88%B5%E5%A3%AB

電影介紹(很詳細所以有些我就不寫了←想輕鬆寫網誌的懶女人)
http://zh.wikipedia.org/wiki/%E9%A6%99%E5%A5%88%E5%85%92_(%E9%9B%BB%E5%BD%B1)
可可香奈兒wiki
http://zh.wikipedia.org/wiki/%E5%8F%AF%E5%8F%AF%C2%B7%E9%A6%99%E5%A5%88%E5%B0%94

電影wiki
http://zh.wikipedia.org/wiki/%E9%90%B5%E5%A8%98%E5%AD%90_(%E9%9B%BB%E5%BD%B1)
柴契爾夫人wiki
http://zh.wikipedia.org/wiki/%E7%8E%9B%E6%A0%BC%E4%B8%BD%E7%89%B9%C2%B7%E6%92%92%E5%88%87%E5%B0%94

2012/5/27
[偽]翻譯習作by 無翻譯理論基礎亦尚未修習翻譯相關課程者
早上起床，發現老公已出門，冰箱上貼了一張字條…
“This Is Just To Say”我要鄭重宣佈

順便宣傳一下近期更新之康明思(因為原本就種在一花園 懶得移植反正也生根了吧XD)
http://www.wretch.cc/blog/bicc2&category_id=12340734
2012/4/3
[偽]翻譯習作by 無翻譯理論基礎亦尚未修習翻譯相關課程者

最後一罈水了...話說手邊三本傅柯相關的書還沒啃完QQ
The Archaeology of Knowledge and “Order of Discourse”
     The Archaeology of Knowledge (abbreviated in English as AK, French: L'Archéologie du Savoir, published in 1969) is Foucault’s methodology in analyzing discourse. Later he turns form archaeological analysis to genealogical accounts. His “Order of Discourse”(French: L’order du discours, or “Discourse on Language” in some English translations), inaugural lecture as Professor of the History of Systems of Thought at the Collège de France, 1970, indicates such methodological transition. “Archaeological analysis describes that discourse is constructed by the rules of formation; however, genealogical accounts examine the complex interrelatedness between discourse and the exercise of power”(Chen 16). Following The Archaeology of Knowledge, “Order of Discourse” anticipates practice in historical discourse in Discipline and Punish and The History of Sexuality.

澆好多水...(網誌花園的)花不會爛掉吧(仙人掌大概就是這樣被我...)
嗯只是學期都過了 有些檔案該拿出來曬曬不然被黴菌覆蓋打不開或長腳跑走就糟囉
(這不是被害妄想症)
The passing of the Theatre Act of 1843 breaks the monopoly of London drama, giving rise to modern theater. The upper middle class, or the fashionable Victorian theater-goer, favors “well-made play.” Created by the French playwright Augustin Scribe in 1815 in reaction against the formlessness of romantic drama, the “well-made play” follows these patterns:

The colonial novel: Most popular since the 1870s till the 1930s, during the peak of the British empire. It usually records a journey by a white person, often male, to the colonies. It presents the West in masculine terms as civilized, advanced, standing for reason, knowledge, light, and presents the colonies in feminine terms as backward, barbaric, chaotic, standing for darkness, ignorance and lack of reason/control. Often it justifies the colonial conquest as a generous act to save or civilize the colonized people.
e.g. Conrad: More cosmopolitan; bold experiments in form and language; themes of honor, guilt, moral alienation, different from traditional themes. Not interested in characters succeeding in life, but in man’s responsibility to himself. Use locales and conflicts alien to everyday society in order to lead men to ultimate judgment of their nature and moral duties. Lord Jim (1900), an early work, is the first important English experimental novel of the modern era, with unusual chronology, imagistic detail and symbol. Nostromo (1904), Heart of Darkness.
I. Literary Modernism:
A. Space: moving from object, outside world which is chaosàsubject, inner consciousness